By inviting artists to submit two (art)works’ links, one related to their day time and another to their night time, Day Jobs revealed connections between two inseparable necessities in the life of a digital media artist, the economic need and the artistic need.Ĭonsidering the development of narrativity within the production of net artworks, net.narrative aimed to exhibit the most successful internet-based artworks in disrupting traditional narratives by means of deconstruction or revisualization. Thematically, Day Jobs investigated the relationships between two different but intrinsic interconnected activities in the routines of digital media artists: their work as income producers and their work as art producers. The exhibition Day Jobs was shown within the "Off-site" section of the New Langton Arts gallery website, through which links to the artworks were published. The complex structure of this online exhibition, accompanied with a touring on-site exhibition, gathered artworks, texts about the pieces written by the artists, related essays, photographic documentation of the exhibition installation at the San Francisco Art Institute and an open source telematics timeline. Telematic Connections can be seen as a very complete exhibition catalogue where artworks can be viewed/interacted with. Telematic Connections :: The Virtual Embrace Online Exhibition.
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The online exhibition, part of the on-site survey exhibition, 010101: Art in Technological Times, showcased five new commissioned web-based artworks, a series of interactive public programs that were streamed online and discussion forums where visitors could add their comments and create dialogues. 010101: Art in Technological Times Online Exhibition.Other curated online spaces and essays were accessible via the “Curatorial Experiments” section. Along with these projects, previously commissioned online artworks were also featured in the section “Artists Projects”. In 2001 and after its re-design, e.space commissioned, presented and displayed new web projects, with in-depth information about the piece and the artist. The artworks, both submitted by artists and commissioned by ACEN, were always on view since the day of their publication.Į.space was an online exhibition space that started in 2000 showcasing web-based artworks and designs from the SFMOMA collection. In order to access the exhibition, the visitor had to subscribe to the WELL, where ACEN could be found and the Electronic Art Gallery in its menu. Started in 1986 and hosted in the WELL's ACEN conference, this text-based gallery showcased several artworks from artists interested in working with electronic communication technologies. The Electronic Art Gallery at the Art Com Electronic Network (ACEN) was the first online exhibition in the Bay Area.
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